Why it sounds different
Not an auto-loudness button — a mastering chain with a production pedigree.
Score cartridges
NEON NOIR (cyberpunk score) · ORBITAL (atmospheric sci-fi) · CITADEL (hybrid orchestral fantasy) · PULSEDRIVE (melodic techno energy) — each distilled from recipes that mastered a real series soundtrack.
Measured honesty
Before/after LUFS, peak and dynamics on every master. No black box: you see exactly what changed in your sound — numbers first, adjectives never.
Loudness targets that matter
Streaming (−14 LUFS), Cinema/Trailer (dynamics-preserving headroom for picture) and Club — because a score under video needs different physics than a single on Spotify.
Dynamics are luxury
Our house doctrine: the contrast comes from the quiet side. Cartridges guard your drops and valleys instead of ironing them flat.
A/B in your browser
Flip between original and master instantly, gain-matched. Your ears decide with no louder-bias trick.
Trailer-safe masters
The rule we learned in production: never put an album master under video. The Cinema target renders a dynamics-preserving version built for the edit.
You don't hire a mastering engineer. The system carries one.
Every cartridge is distilled from 29 finished production masters — measured, A/B-tested, ear-verified. Upload your track, choose the character, pick the target: the chain does what an engineer would, and hands you the measurement report to prove it.
Plans
The Lab measurement and A/B are yours. The plans buy finished masters — priced by volume.
ENGINEER
- 20 rendered masters / month
- All cartridges + all loudness targets
- Measurement report on every master
PRODUCER
- 80 rendered masters / month
- Batch mastering + album loudness matching
- All cartridges + all loudness targets
- Measurement report on every master
SCORE MASTER
- 300 rendered masters / month
- Custom cartridge tuned to your reference
- Batch mastering + album loudness matching
- Priority rendering